Sunday 12 June 2011

A Summer across the Atlantic.

After spending eight eventful months in England's capital I have decided to drop everything and take a trip over the Atlantic. The aim of this excursion is to beg, borrow and busk my way around the North East of the United States, bookended by visits to Toronto.

When you have a serious desire to do something valuable with every day of your existence a desk job will crush your spirit, slowly but surely, day by day. As such, I'm off with my guitar and a simple intention to play as much as I'm allowed to in a load of new places. I hope to hit mainly Washington DC and New York City but I may go elsewhere, who knows?

I'll be reporting back via this blog, so keep an eye out for what I'm up to. I'm flying out on the 30th of June and I'll be back early September so plenty of stuff should happen. I've never been out of the country for more than a month so I'm pretty hyped up about it all.

I have 2 shows until then:

16th June - Must Try Harder @ Balham Bowls Club w/ Bastille (acoustic set)- SW12 8QX

24th June - Scaledown @ The King and Queen - W1W 6DL

After that I'll be off. So try to get down to one of these to say bye!



Wednesday 25 May 2011

Strummerville Spring Sessions - April 2011

Somewhere on a backstreet in Shoreditch there happens to be a really crap car park. Whoever looked at this spectacle and decided to turn it into a venue quite frankly deserves the titleof genius. Strummerville, the music foundation set up in honour of Joe Strummer, took this idea and ran with it. It ran a bloody long way too, turning this random space into a fantastic two stage event. I was grinning like Larry on happy pills when I walked in.

Sound issues were apparent due to the nature of the makeshift venue but it wasn't enough to tarnish the  fantastic atmosphere. Strummerville has come on in leaps and bounds since its inception and continues to support and nurture promising young musicians.

There's a queue before 8pm, probably (and in my case) so folks could get their hands on the t-shirt  commemorating Frank Turner's 1000th show. That’s right, one thousand shows! It took him 6 years but along the way he has become a genuine hero to many, and a vital example that success doesn't come without a
strong work ethic.

Despite having England's hardest working songwriter on the bill there were some true highlights elsewhere. One of which was the infectious Bastille. Four handsome chaps making music so catchy I have two of their tracks stuck in my head simultaneously. Their set finisher, Flaws, will be released on Young and Lost Club, the platform that launched Noah and the Whale, Bombay Bicycle Club and Everything Everything. The tune has ‘hit’ scrawled all over it in permanent marker, just check the amount of covers that have already popped up on YouTube!

They're currently on the Strummerville River Rat Pack Tour with Beans On Toast. I'll be heading to Oxford on Sunday to catch the last day of the tour. Watch out for them (and their singer's pending Brylcream
sponsorship).

Another notable performance came from The Great Whale (working title) whose frontman bore a strong resemblance to Strummer himself. His aggressive vocal and jerky leg propelled the band through their set with the conviction of a classic rock act touring their tenth album. The reception from the increasingly drunk crowd was somewhat raucous and it was good to see (after Frank had finished) that not everyone let their narcotics take effect in the smoking area. It was in fact their first gig. A golden ticket some might say, although I was reliably informed that they've been together since September 2010, spawn from bands previously endorsed by Strummerville. They’re currently rehearsing and recording in Italy, Switzerland and Brighton. Alright for some.

For Frank Turner this must have been a special evening, not least for the milestone but as many family and friends were attending. His solo shows are testament to the power of his songs and once again he demonstrated that you really do only need a guitar. His accompaniment was in the shape of an emotional rabble ready to take on the bank holiday weekend, with every lyric shouted back resonating across the stone walls. At times I stopped to look around and saw the familiar and warming sight of hands in the air and arms around new friends.


Throughout the set he took time to thank all the people who had helped him reach 1000 shows old. In particular he thanked his former bandmates from Million Dead, mentioning that it was the first time in 6 years that they were all hanging out. With this, he began to play his rendition of ‘Smiling at Strangers On Trains’.

The highlight of the set was during penultimate track 'The Road'. On singing "...and the nights a thousand nights I've played, a thousand more to go" Frank stopped playing. For a good 30 seconds there was congratulatory applause so loud it rattled the Perspex roof. A cake was brought on stage and the crowd sang happy birthday, it was a sentimental touch that led to a fantastic ending.

“…before I take a breath and steal myself for the next one thousand
shows.”

As with most of his solo shows he finished with ‘The Ballad of Me and My Friends’, a tale of how his and everyone’s plans to ‘make it’ were amounting to nothing. The days of sleeping on peoples floors and playing to one man and his dog are a far cry from this moment. As his loyal fans begin singing, Frank stepped off the stage and walked into the audience to play and sing with the people that helped him in his achievements.

As one fan on YouTube pointed out
“Frank Turner is the best friend you never had”


Thursday 12 May 2011

Birmingham, represent.

I played at the Queens Head in Kings Cross last night as part of the WeWriteLists night ‘The Folkroom’. Having a dedicated audience of around 6 I had to win over the rest of the bar without a PA system. Winning a talking bar over is something I am used to and not flummoxed by, however to do so without amplification required some stones. I ran through a quick 6 song set at what turned out to be an appropriate volume.

I had to leave immediately to go and see &U&I at the Old Blue Last. I was ‘that guy’ who plays and leaves when no one else has played yet, expectant that they would listen to me but not returning the favour. This was out of my hands; a late booking when I had other plans. I compromised, don’t hate me.

Currently I’m in a quiet patch with my music, due to work commitments and my other band (more to come on this very soon). Seeing &U&I came at a perfect time for me, as a kick up the arse to get things in gear. The guys have worked so hard since they were 14 to get where they are and despite being kicked in the nuts (if you don’t know what I mean just wiki ‘Blakfish’) they have clawed back to a position of musical worth in a very short space of time. Coming from the same background, scene and friendship groups it’s a great thing to be able to see a group that made it out alive and kicking. Hats off to them, fucking ferocious show. Nothing else needs to be said.

Friday 7 January 2011

Los Campesinos - Playing by their own rules

Los Campesinos have gone and completely smashed all DIY boundaries by coming up with the ingenious idea of HeatRash! With the increasing difficulty of actually making money as a band they are creating a £25 subscription to a magazine which will include their art, storys, lyrics, priority tickets and most importantly of all; tracks that are specially recorded for the venture. Not only is this the most innovative way of making money I've heard recently but as a Los Camp fan it's great to know I'll be getting some new tracks. Read some more here.